I am obsessed with Time; not only I have a weakness for wrist watches, I have several clocks around my house. Only when I am traveling (especially in france where Time is an elastic commodity) the passage of time becomes kind of blurred but I’ve never had any desire to go back nor forth in Time; the whole notion of a Time Machine has never appealed to me (not even to my trekkie side). Entropy rules supreme!
Aragon, one of my favorite french poets, has written his most beautiful piece about Time so have many other luminaries. “Newton, forgive me…” said Einstein who wrote his most beautiful piece about the same subject…
“Je vais te dire un grand secret Le temps c’est toi
Le temps est femme Il a
Besoin qu’on le courtise et qu’on s’asseye
A ses pieds le temps comme une robe à défaire
Le temps comme une chevelure sans fin
Un miroir que le souffle embue et désembue
Le temps c’est toi qui dors à l’aube où je m’éveille… Louis Aragon
I love this piece by Diana Calvario, my new friend at redbubble.
I thought I’ve lost most of my buenos aires pictures; what a gorgeous city, what beautiful music, beautiful people…
“El Tango es un pensamiento triste que hasta se puede bailar” – The Tango is a sad thought that you can dance. (Enrique Santos Discépolo)
Be it the sound of the Gotan Project or the great Astor Piazzola, this dance and this music have enchanted millions of people all over the world especially my good friends Andr� (the maestro) and Mitra (the pupil) who share the same birthday on monday, september 3rd.
Brasserie Lipp in Paris remains very popular in spite of overpriced mediocre food being served under its roof; the history that goes with it, makes it a favorite among the average tourists, the jet set crowd and the Parisians themselves.
“It is a very poor consolation to be told that the man who has given one a bad dinner, or poor wine, is irreproachable in private life. Even the cardinal virtues cannot atone for half-cold entr
I am in love with my iPod. One fabulous podcast i listened to last week brought tears to my eyes and inspired me to make this image.
the radio program was the one about the “Musical DNA” from WNYC’s Radiolab. David Cope , a composer and professor at UCSC, talks about how a computer program he wrote, can imitate the musical DNA of great artists; “His program, named EMI (Experiments in Musical Intelligence – pronounced Emmy), deconstructs the works of great composers, finding patterns within their compositions, and then creates brand new compositions.” Imagine some undiscovered pieces from Mahler or the Almighty Bach…Life can be amazing. We have worshiped dead musicians for ever, can we admire their ghosts’ music now?
We had no say in how/when/where we were born but i think we should definitely have a say in our death. Nietzsche was right when he wrote, “there is a certain right by which we may deprive a man of life, but none by which we may deprive him of death.” I have never contemplated suicide but the very freedom to do so seems liberating. This doesn’t mean that i don’t believe in suicide prevention in most cases, but I am convinced that Life’s quality is way more important than a few miserable extra years. The final exit remained a NY Times best seller for a long time in spite of the U.S. being a fundamentally religious country. I find this glossary very interesting and i suppose clarifying the terms may help us not to consider the subject as taboo. Imprisoning Dr. Kevorkian (for eight years) just because he helped people with long histories of suffering was unjust even absurd. Life is beautiful but it is sublime if you have some control over it.
i decided to add something to this post after i read all the comments -i must admit that the issue of insanity in relation to suicide didn’tcross my mind before Yves mentioned it; the case of a young life endedbecause of depression is very different to me than the one ended basedon insanity – and insanity is so subjective that i am not sure if iwant anybody but the fairest of the judges to decide who’s sane and whoisn’t. who would be the “guardian”? would a “philosopher king” do? isthe society to decide or the government? who is to judge if i am saneenough to end my life when/how/where i decide to do it? is old age a necessary condition? is is sufficient though? who has the right to prolong someone else’s suffering/misery?
i’ve been to Venice, Italy some years ago but i think that i would probably not go back to this beautiful but over-crowded city for a while – as usual i like it better when it’s empty of the unwashed masses. Venice has been home to the great Titian, Veronese and Tintoretto (cinquecento Venice) and Casanova…
i was moved by Venice and its 120 islands on the Adriatic sea but i loved it most at 5:30 in the morning. after years i still like these pictures i took one foggy morning when everybody was asleep.
“I stood in Venice on the Bridge of Sighs, a palace and prison on each hand” Lord Byron
i never particularly liked Turner – i didn’t know him much and i found it exasperating that 10 of his paintings were hung side by side in a museum in london (all yellow seas) – it all changed the day that i bought (in 2004) a book called Turner and Venice. i was humbled by the beauty of his paintings (all blue skies) and sketches. i’ve been watching Simon Schama‘s “Power of Art” on pbs and he talks about Turner in one of the eight episodes (among other giants like Picasso, Rembrandt, David and Rothko).
i would love to go back to Venice one day when it snows and everybody else is at Disneyland.
they say: “While Beethoven wrote seven concertos, Brahms four and Bach, Haydn, Handel and Mozart at most a few dozen, Vivaldi wrote over 500 (and more are being uncovered each year)! When you’re that prolific, some recycling and lapsing into formula is inevitable.” the funnier version would be that Vivaldididn’t write hundreds of concerti but only one concerto hundreds of times! i fell in love with Baroque violin virtuoso, Giuliano Carmignola, a few years back; it was astonishing to hear Vivaldi’s over-exposed, over-played (ad nauseam) “Four Seasons” in a different way: the presto of summer has never been this fast combined with some feverish allegro sections.
listen to some of his music, or even better watch the short video clip – he’s amazing; Carmignola has mostly played with the Venice Baroque Orchestra using their period-instruments which makes the performance sound the way that the old Venetian, Vivaldi, would have imagined, composed and conducted it…
unfortunately, the above images are not mine – i tried to catch his southern california concert a couple of years ago but he stood us up! got sick on the plane from Venice or got scared of our governor.