A night with some dry drunk Persians
July 6th, 2008
I got drunk on music at Frank Gehry’s last night along with two thousand other people. Even though independence day usually is accompanied by the two Adamses - Samuel (the beer), and John (the second president) - this year was different.
It was amazing : an Iranian music ensemble called “Mastan” or the drunks, with its director/vocalist, Parvaz Homaye, performed at Walt Disney music hall. The astonishing thing is that this group lives and performs in Iran and has chosen a name and lyrics laced with wine/intoxication/breaking repentance/dissent/hope… The young vocalist actually played on two big jugs - khomreh - that begged to be full of wine like Jesus’ in the marriage of cana!
How the mullahs managed to asphyxiate 70 million people by depriving them of music and wine is beyond my comprehension… Just look at these paintings: where there is music, there is wine. The concert last night proved that if you take the wine out of a Persian’s life, he’ll continue to sing about it! Move your mouse on the images to see a description of the paintings and the year they were created.
These instruments have not changed in centuries but the music has evolved. I love this painting of Kamancheh (upright fiddle), tar and daf:
This gorgeous painting in a palace in Isfahan from around 1670:
Last but not least is this funny looking dude playing a lute:
Passionate improvisation is the basis of Persian classical music. Watch this clip to see some hard core first-rate Persian musicians - Kayhan Kalhor on kemancheh (spike fiddle), Hussein Alizadeh on tar (lute), Shajarian on vocals, and his son on tombak (hand drum) - warning to the uninitiate: there is heavy duty yodeling! I couldn’t resist adding these pictures of the great Kalhor playing and Yo-Yo Ma watching - they collaborated on the Silk Road Project:
Watch the Mastan here - they will be performing in San Francisco, San Diego and Washington D.C. this July.
صبح است ساقیا قدحی پرشراب کن
دور فلک درنگ ندارد شتاب کن
زان پیشتر که عالم فانی شود خراب
ما را ز جام باده گلگون خراب کن
A Persian in Venice
June 2nd, 2008
My smile got bigger and bigger as I continued listening to Professor Riccardo Zipoli talking about Iran in his near perfect Persian; but then I got a bit frustrated remembering that in spite of speaking three languages myself, I have to applaud every non-Persian who can say 4 words in my mother tongue! Listen to him talk here to see what I mean by Zipoli’s flawless Persian.
These two pictures are from the Professor’s huge archive. He has a soft spot for the rural landscape/people of Iran.
Born near Florence, teaching in Venice, reciting Sohrab Sepehri better than most of the natives has endeared Zipoli to Persians. I particularly like his Tree series. You can find more of his pictures on his site.
Looking at these images made me nostalgic so I went to look for some pictures from my last trip to Iran about 14 years ago. Here is one of my favorites from the Shah’s Mosque in Isfahan, a marvel of Safavid art. I still remember my awe in front of all these magnificent architectural wonders.
“If you come to visit me
Come gently and slowly lest the fragile china
Of my solitude cracks”
به سراغ من اگر ميآييد،
نرم و آهسته بياييد، مبادا كه ترك بردارد
چيني نازك تنهايي من
“Si vous venez m’y chercher,
Venez-vous-en donc lentement et doucement
De crainte que ne se raye
La porcelaine de ma solitude.” Sohrab Sepehri
And for all of you people who are still looking for a Persian in Venice, I am sharing this picture I took some years ago.
Rufus Cappadocia, not your father’s cellist.
May 5th, 2008
Listening to Rufus Cappadocia the other day on NPR, I almost had an accident! I seldom get excited about “fusion/cross-cultural music” but the more I listened to it, the bigger the smile got on my face. Just watch this clip to see what I got all excited about.
I liked what I heard so much that I made several images out of the few pictures I could find of him online. Rufus is a New York-based cellist and composer, a multilingual musician, a world music traveler, having studied and performed in a variety of traditions from American blues, folk and jazz to Spanish flamenco, Haitian vodou drumming and various styles from the Balkans, the Middle East and India. Reminding me that his last name, Cappadocia, is where Rumi lived, Rufus told me about his work with Rumi’s poetry and Vishal Vaid, the extraordinary Ghazal vocalist.
His CD sold out after the NPR piece but it will be in stock this week - it’s also available on iTunes. A modified cello has given him the flexibility to play in many settings with other musicians. Rufus is playing on May 18th in Oakland with Stellamara. Check it out if you live in the area.
The real magician is the one who puts Jimmy Hendrix and classical Persian music together…
No Ruz, Norouz, haft-seen, haft-sheen, etc…
March 17th, 2008
Happy New Year to all of you hamvatans! These are some pictures of the ghost of Nowruz past and present. I remember new shoes, the intoxicating scent of hyacinths, the goldfish and the mint bills - and of course the sound of naghareh when the year changes.
No Ruz is the day when life’s glory is celebrated; it usually occurs on March 21st or the previous/following day depending on where it is observed. It’s a feast of renewal and freshness - No (new) Ruz (day).
It has often been suggested that the famous Persepolis Complex, or at least the palace of Apadana and Hundred Columns Hall, were built for the specific purpose of celebrating Noruz by Darius the Great (522 -485 BC). It is celebrated in other countries as well as Iran. Tajikistan is one of them.
In spite of trying hard, the islamic republic of Iran has not been able to erase this semi-pagan spring festival; they have tried to replace Zarathustra’s spring equinox celebration with the muslim eyds to no avail.
The original haft sheen or seven sh’s were: Sharab (wine), Shekar (sugar), Sham (Candle), Shir (milk), Sharbat (Sherbet), Shaneh (comb), Shahd (nectar) but they were replaced by seven S’s to eliminate sharab (wine) after the arab conquest.
The haft seen is made of:
Sabzeh – wheat or lentil sprouts growing in a dish symbolizing rebirth
Samanu - pudding made of wheat symbolizing wealth
Senjed – dried fruit of Jujube tree symbolizing love
Seer - garlic symbolizing medicine
Seeb – apples symbolizing beauty and health
Somaq – sumac berries symbolizing the sun
Serkeh – vinegar symbolizing age
Sonbol – hyacinth flower symbolizing the arrival of spring
Sekkeh - gold coins symbolizing prosperity and wealth
Too much information, wouldn’t you say?
“Pourquoi les hommes ne savent-ils pas
Que la capucine n’est pas un hasard…” Sepehri
آمد بهار ای دوستان منزل سوی بستان کنیم
گرد غریبان چمن خیزید تا جولان کنیم
امروز چون زنبورها پران شویم از گل به گل
تا در عسل خان جهان شش گوشه آبادان کنیم
آمد رسولی از چمن کاین طبل را پنهان مزن
ما طبل خان عشق را از نعره ها ویران کنیم
بشنو سماع آسمان خیزید ای دیوانگان
جانم فدای عاشقان امروز جان افشان کنیم
آتش در این عالم زنیم وین چرخ را برهم زنیم
وین عقل پابرجای را چون خویش سرگردان کنیم
کوبیم ما بی پا و سر گه پای میدان گاه سر
ما کی به فرمان خودیم تا این کنیم و آن کنیم
نی نی چو چوگانیم ما در دست شه گردان شده
تا صد هزاران گوی را در پای شه غلطان کنیم
خامش کنیم و خامشی هم مایه دیوانگیست
این عقل باشد کآتشی در پنبه پنهان کنیم
Rumi
To hear my good friend (Houri)’s voice accompanying the preparation of haft-seen, click on the view here.
Postscript:
About the seven sh’s, somebody mentioned the omnipresent SHAHNAMEH on the Norouz spread and I have to agree - the Great Book’s almost always been on mine even now that it’s become the tame haft-seen. For some comic book version (for the heavy readers) check this site out.
check out this link to see george bush’s haft-seen.
Feast for the eyes
March 10th, 2008
Is there anything in the world more effortlessly beautiful than a flower (in this case a cabbage)? We can’t stop marveling at their generous beauty.
This ornamental cabbage was exquisite in the morning sun.
I am not a “nature person”; I need the big cities’ concrete to be happy but it is often the quiet elegance of trees and flowers that reconciles me to the countryside.
These gorgeous carps - Koi Fish - were the best companion for the flora of this morning stroll. They are symbols of love and friendship.
I have decided to go easy on this post - no links, no major earth-shattering opinions, nothing but beautiful images and maybe this poem by e.e.cummings:
“i thank You God for most this amazing
day:for the leaping greenly spirits of trees
and a blue true dream of sky;and for everything
which is natural which is infinite which is yes
(i who have died am alive again today,
and this is the sun’s birthday;this is the birth
day of life and love and wings:and of the gay
great happening illimitably earth)
how should tasting touching hearing seeing
breathing any-lifted from the no
of all nothing-human merely being
doubt unimaginable You?
(now the ears of my ears awake and
now the eyes of my eyes are opened)”
Matters of the heart
February 11th, 2008
Just watched Charlie Brown agonizing over the girl with red hair in a peanuts valentine special - Snoopy of course gets all the girls as usual.
I would like to share the work of an artist that I admire greatly. Having been in the greeting card industry for years, I seldom get impressed by new art in this business. Gaelle Boissonnard is an artist living in the Loire Valley region of France. Her work is exquisite and I have been collecting it since that fateful day I fell in love with her images in a small shop in Mont St. Michel.
There is something otherworldly about her work - it’s fresh, whimsical, happy yet somehow profound (let’s not forget that these are commercial works being sold in small shops). They don’t scream at you, they share their beauty quietly.
I did get in touch with her and am still waiting for her distributors to start doing something in the U.S. It’s easy to find her in the card shops in France now but she’s difficult to catch in the internet.

Just found out that she has a book out too.
I wished somebody would start putting words/poetry to these gorgeous paintings of hers - something like Prévert’s Immense et Rouge:
“Immense et rouge
Au-dessus du Grand Palais
Le soleil d’hiver apparaît
Et disparaît
Comme lui mon coeur va disparaître
Et tout mon sang va s’en aller
S’en aller à ta recherche
Mon amour
Ma beauté
Et te trouver
Là où tu es.”
or Tagore’s great piece:
“I seem to have loved you in numberless forms, numberless times…
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.”
or better yet, Rumi who keeps bewitching people after 800 years…
I believe Rumi should not be translated (I’ve read soooo many bad/mediocre translations) - his work loses its magic - Happy Valentine’s Day people.
My eucalyptus tree attempted suicide
December 9th, 2007
My eucalyptus tree attempted partial suicide (non-fatal self-destructive act, self-mutilation) a couple of days ago.
The California Eucalyptus are transplanted trees from Australia (ca 1850) - they were brought here in the hopes that they would provide a renewable source of timber for construction and furniture making.
I heard a big swooshing noise and a loud thump; what seemed to be my whole eucalyptus tree landed ten inches from my parked car at my doorsteps killing some poinsettias. I thought I’ve lost the tree but I found out later that “some species of Eucalyptus have a habit of dropping entire branches off as they grow. Eucalyptus forests are littered with dead branches. Many people have been killed as they camped underneath the trees. It is thought that the trees shed very large branches to conserve water during periods of drought.” Mine’s “accident” may have been caused by the wind or the heaviness of the branch.
The whole yard smelled wonderful though - by its very essence, eucalyptus has the scent of freshness and purification. I love trees especially the ones I grew up with - sycamores and poplars. “Suburbia is where the developer bulldozes out the trees, then names the streets after them.” Bill Vaughan
One whole day of yard work reduced the giant branch to these. Maybe my wood sculptor friend would be interested.
I can’t translate this poem without stripping it of its original beauty:
Dans la forêt sans heures
On abat un grand arbre
Un vide vertical
Tremble en forme de fût
Près du tronc étendu.
Cherchez, cherchez, oiseaux,
La place de vos nids
Dans ce haut souvenir
Tant qu’il murmure encore.
Here is my favorite T-shirt:
- I haven’t seen two poplars to be enemies
- I haven’t seen a willow selling its shade to the ground
- The elm tree freely bestows its branch to the crow
- Wherever there is a leaf my passion blossoms
- من نديدم دو صنوبر را با هم دشمن
- من نديدم بيدي، سايه اش را بفروشد به زمين.
رايگان مي بخشد، نارون شاخه خود را به كلاغ.
هر كجا برگي هست ، شور من مي شكفد
Je n’ai jamais vu la haine de deux peupliers.
Je n’ai jamais vu un saule vendre son ombre à la terre.
Et gratuitement l’orme offre sa branche aux corbeaux.
Partout où frémit une feuille,
S’épanouit aussi le bourgeon de l’ardeur.
“Leaf peeping” in L.A.
October 16th, 2007
It rained today in Los Angeles and I pretended that the fall was here, that there is actually a change of weather, that time doesn’t pass me by in a bigger hurry in the absence of seasons in southern California. Going through the four seasons makes you realize that you are aging with the rest of the Earth, but not where I live…
We are surrounded here by evergreens and we rarely use our gloves/umbrellas/fireplaces; every time that I see a sycamore or a Japanese maple tree losing quietly its leaves, I am transported back to my childhood in Tehran where the year was divided into its four glorious versions. Summers were hot and dry, winters cold and white, etc…
The autumn leaves was adapted from the beautiful poem by Prévert. Both Juliette Gréco and Yves Montand had this song in their repertory.
I still remember the spectacular color shows of New England falls; It’s quite amazing how the green leaves turn to brilliant shades of yellow, orange, and red - a never ending spectacle.
Momijigari (leaf peeping in the U.S.) is the japanese traditional pastime of viewing the changing colors of the autumn foliage when it snows yellow and red.
Rose is a rose is a rose is a rose
September 30th, 2007
Gertrude Stein made the above utterance famous in a poetry of hers and i can’t get it out of my mind every time i see or smell a beautiful rose. Coming from a country known for its gardens of roses and jasmins, tuberoses and tulips, irises and narcissus, I am still like many Persians partial toward the ROSE, the queen of them all. The rose below, smelled like the rose gardens of my childhood, unlike the sterile tall red roses you find nowadays in flower shops.
“Mignonne, allons voir si la rose
Qui ce matin avait déclose
Sa robe de pourpre au Soleil,
A point perdu cette vesprée
Les plis de sa robe pourprée,
Et son teint au vôtre pareil.”
“See, Mignonne, hath not the Rose,
That this morning did unclose
Her purple mantle to the light,
Lost, before the day be dead,
The glory of her raiment red,
Her colour, bright as yours is bright”
Ode to Cassandre by Pierre de Ronsard 1550

Other noteworthy “Roses” are Roman de la Rose, and the name of the Rose by one of my favorite italians, Umberto Eco.
“I am close to the beginning of the earth.
I feel the pulse of the flowers.
I am familiar with the wet destiny of water
and the green habit of trees.”Sohrab Sepehri
Time, Poetry and Einstein
September 9th, 2007
I am obsessed with Time; not only I have a weakness for wrist watches, I have several clocks around my house. Only when I am traveling (especially in france where Time is an elastic commodity) the passage of time becomes kind of blurred but I’ve never had any desire to go back nor forth in Time; the whole notion of a Time Machine has never appealed to me (not even to my trekkie side). Entropy rules supreme!
Aragon, one of my favorite french poets, has written his most beautiful piece about Time so have many other luminaries. “Newton, forgive me…” said Einstein who wrote his most beautiful piece about the same subject…
“Je vais te dire un grand secret Le temps c’est toi
Le temps est femme Il a
Besoin qu’on le courtise et qu’on s’asseye
A ses pieds le temps comme une robe à défaire
Le temps comme une chevelure sans fin
Peignée
Un miroir que le souffle embue et désembue
Le temps c’est toi qui dors à l’aube où je m’éveille…
Louis Aragon
I love this piece by Diana Calvario, my new friend at redbubble.
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