Michele Roohani

A great cartoon can make you want to laugh, cry, and think all at once. These are the best cartoons I’ve seen lately:

Massoud Ziaei’s works are little gems:

and for the bibliophile:

The following are from this young cartoonist:

his humor is getting darker:

and darker:

I laughed a lot seeing this one from Hamid Bahrami right after the batman movie:

I love his light/bright sense of humor:

There are some very sad cartoons:

 the quiet gnawing pain of children of divorce.

After the great masters, Ardeshir Mohassess,

and Kambiz Derambakhsh,

these young artists— mentioned earlier—bring in a sense of freshness. This is a very funny one called frustration from Randall Munroe:

and one from the late Roger Blachon:

and this from Roger Tetsu (passed away in 2008 like Blachon—bad year for cartoonists named Roger):

and  last but not least, one from the great Sempé…

I found this fabulous Russian site that archives many cartoonists’ work; once you’re in, there is no coming out soon…

I got drunk on music at Frank Gehry’s last night along with two thousand other people. Even though independence day usually is accompanied by the two Adamses - Samuel (the beer),  and John (the second president) -  this year was different.

It was amazing : an Iranian music ensemble called “Mastan” or the drunks, with its  director/vocalist, Parvaz Homaye, performed at Walt Disney music hall. The astonishing thing is that this group lives and performs in Iran and has chosen a name and lyrics laced with wine/intoxication/breaking repentance/dissent/hope… The young vocalist actually played on two big jugs - khomreh - that begged to be full of wine like Jesus’ in the marriage of cana!

How the mullahs managed to asphyxiate 70 million people by depriving them of music and wine is beyond my comprehension… Just look at these paintings: where there is music, there is wine. The concert last night proved that if you take the wine out of a Persian’s life, he’ll continue to sing about it! Move your mouse on the images to see a description of the paintings and the year they  were created.

These instruments have not changed in centuries but the music has evolved. I love this painting of Kamancheh (upright fiddle), tar and daf:

This gorgeous painting in a palace in Isfahan from around 1670:

Last but not least is this funny looking dude playing a lute:

Passionate improvisation is the basis of Persian classical music. Watch this clip to see some hard core first-rate Persian musicians - Kayhan Kalhor on kemancheh (spike fiddle), Hussein Alizadeh on tar (lute), Shajarian on vocals, and his son on tombak (hand drum) - warning to the uninitiate: there is heavy duty yodeling! I couldn’t resist adding these pictures of the great Kalhor playing and Yo-Yo Ma watching - they collaborated on the Silk Road Project:

Watch the Mastan here - they will be performing in San Francisco, San Diego and Washington D.C. this July.

صبح است ساقیا قدحی پرشراب کن
دور فلک درنگ ندارد شتاب کن
زان پیشتر که عالم فانی شود خراب
ما را ز جام باده گلگون خراب کن

حافظ

Claude Verlinde and Jacques Poirier are two underrepresented French painters. They are both master illusionists/image makers/mirage makers.

I fell in love with the above painting when I first got introduced to Verlinde’s work in Paris. We all know hollow people, lacking in real value, sincerity, or substance - we have all met shallow people lacking in depth of thought, or feeling. In Persian we call them “hollow drums”: noisy but empty.

Thanks to the internet we can know of something without really knowing about it. We used to have to read, to see, to hear something in order to be able to talk about it but not anymore folks! everybody’s an expert.

I’ve been wanting to talk about V.S. Naipaul for the longest time. Every time that somebody tries to eat up my life/time, I remember the writer’s fabulous statement reported on BBC: “my life is too short, I can’t listen to banality”.

Staying with the trompe l’oeil of Verlinde and Poirier, take a look at this very clever ad:

You can see the rest of these very funny ads here.

Today is my blog’s first anniversary! If you like what you see, please subscribe.

Farah Pahlavi, the queen of Iran, is still alive and well, but people are not talking about her much. Things changed when it was reported last month that “the Tehran Museum of Contemporary Art has put on display an exhibition that art experts call the most important collection of modern Western art outside Europe and the United States.” In the 1970’s she collected great works of art - about 150 paintings - by Picasso, Monet, Andy Warhol, Jackson Pollock, etc…

I bought some old Paris Match magazines some years ago in Paris spanning from 1958 through 1969. It was interesting to see her on the cover from practically the minute she met the Shah in Paris. I put some of the photos from Paris Match together to share them with you.

She lived a Cinderella story that turned sour at the age of 41 after the Iranian revolution of 1979.

In spite of my belief that monarchy is stupid in the 21st century, it seems like I can’t shake my affinity for this woman; the fact that we both went to the same school (Jeanne d’Arc of Tehran) and had to endure the same French nuns may not have much to do with it.

The deposed queen has somehow survived the animosity that follows the Pahlavis wherever they go. At the minimum she should be applauded for amassing a collection of priceless art, as opposed to worthless shoes or stolen jewelry (see Queen Elizabeth and Imelda Marcos).

Her good reputation lasted way longer than her jewelry.

Los Angeles is basking in the light of having the remarkable Dudamel as its philharmonic orchestra’s next music director starting 2009.

“True class: South America’s lightning conductor . . . what I experienced was sensational. His name is Gustavo Dudamel - he produced enough electricity to light up Birmingham - a young man with boundless talent, deeply in love, and the world at his feet.” The Times (London)
Dudamel started by playing the violin before becoming a conductor - listen to him play as the devil himself in this clip. His joy and exuberance are contagious.

Venezuela is not all about Chavez and his histrionics - it could also be about El Sistema, an organization that gave birth to the likes of Dudamel through teaching music to children. I first read about this a few months back but tonight the 60 minutes program (a must see) just blew me away…250,000 Venezuelan teenagers and children, most from impoverished backgrounds, are participating in El Sistema that has already produced many world class musicians - Mahler and Bernstein are keeping them out of trouble - All over the world, young people have so much to give and from whom so little is expected…

My other favorite Venezuelan is Manuel Graterol’s daughter, Flor.

Of course amid all this musical euphoria, the cynic in me remembers George Steiner’s quote: “we know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day’s work at Auschwitz in the morning.

Just watched Charlie Brown agonizing over the girl with red hair in a peanuts valentine special - Snoopy of course gets all the girls as usual.

I would like to share the work of an artist that I admire greatly. Having been in the greeting card industry for years, I seldom get impressed by new art in this business. Gaelle Boissonnard is an artist living in the Loire Valley region of France. Her work is exquisite and I have been collecting it since that fateful day I fell in love with her images in a small shop in Mont St. Michel.

There is something otherworldly about her work - it’s fresh, whimsical, happy yet somehow profound (let’s not forget that these are commercial works being sold in small shops). They don’t scream at you, they share their beauty quietly.

I did get in touch with her and am still waiting for her distributors to start doing something in the U.S. It’s easy to find her in the card shops in France now but she’s difficult to catch in the internet.

Just found out that she has a book out too.

I wished somebody would start putting words/poetry to these gorgeous paintings of hers - something like Prévert’s Immense et Rouge:

“Immense et rouge
Au-dessus du Grand Palais
Le soleil d’hiver apparaît
Et disparaît
Comme lui mon coeur va disparaître
Et tout mon sang va s’en aller
S’en aller à ta recherche
Mon amour
Ma beauté
Et te trouver
Là où tu es.”

or Tagore’s great piece:

“I seem to have loved you in numberless forms, numberless times…
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.”

or better yet, Rumi who keeps bewitching people after 800 years…

I believe Rumi should not be translated (I’ve read soooo many bad/mediocre translations) - his work loses its magic - Happy Valentine’s Day people.

Ok people, brace yourselves - this is going to be an image heavy post! I will take you through a couple of days in Paris - the way I like it: hitting the streets early in the morning to catch the blue hour of this great city; Montparnasse is a very busy neighborhood at 8:30 am.

This was my first time witnessing the changing of the ads:

I walked to a favorite café that reminds me of my twenties, La Rotonde.

I don’t like them anymore (remember the whipped cream out of a can?) but nostalgia and Balzac take me to them every year.

the cafés are changing in Paris - here is the old generation Select and the trendy Lotus.

Of course anything that remotely reminds me of Los Angeles while I am in Europe is not welcome so this kind of restaurant/café just makes me wince but the worst offender is Starbucks and its paper cups.

I bought a pariscope from this news stand,

and had a coffee while looking for the hottest exhibition in Paris.

I decided to see Giacometti in Centre Pompidou . “It was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray! ”

What a great show it was - complete with the artist being filmed while painting and sculpting.

His drawings (included some fabulous small notebooks), paintings and sculptures made a large window into the soul of this great creature…

Even though I am not a big fan of the Centre Pompidou, I have to admit that the view is breathtaking…

I visited the Maillol museum a couple of days before this and liked its architecture as much as the collections:

Maillol is very different in his style from Rodin - they were good friends.

The picture bellow shows the plaster versions of the bronze sculptures above.

On a more colorful note, living in Los Angeles, I am deprived of pretty store windows - abundant in New York, Paris and London.

I am ending this post with two images of my loyal laptop that’s getting very old but gets the job done.

Café crème or Petite Arvine, a good post I hope.

I am sitting in this cute café which happens to have wifi! The world is changing and Paris with it.

I’ve been very busy since I am here; three interesting exhibitions in 2 days: Arcimboldo has never been so complete as in this exhibition in the Luxembourg museum.

A way more somber show was Germany, the black years at the Maillol museum. Otto Dix, Beckmann and Grosz were the most impressing but i have to admit that the German propaganda posters with Hitler’s name on them were the most striking/chilling to me.

This one can give you nightmares:

this next one takes me back to all of my dear Professor Ungvari’s battlefields (Somme, etc…)

of course Paris can erase these nightmares with a winter sunshine after the rain.

I wish there was a global new year’s resolution for a more peaceful, greener, bluer, less sanguinary year than 2007 - I like this image I made based on the work of Hunt Rettig - it’s quietly cheerful.

This is my sister showing her affection in the first moments of the new year!

My Alma Mater, USC won the Rose Bowl today (again)

Now on a more sober note:

Putin (the quasi-tsar) really scares me - China scares everybody.

I just saw this wonderful film, Starting out in the evening, about an old writer who has outlasted the social order in which his life made sense. How can you go wrong with New York in the fall and tons of books? I can’t believe that the lead actor is the same guy who played in Superman returns.

I am a movie junkie but so much of what’s being produced now is blissfully forgettable; I know I like a film if I keep thinking about it the next day and when I start talking about it to others. These are a couple of them: The lives of others which got an oscar is about the constant question of how a good man acts in circumstances that seem to rule out the very possibility of decent behavior. The actor, Ulrich Muhe, was amazing - unfortunately he passed away in July.

The one movie I will always remember is Into great silence. The film is an eloquent achievement in capturing the slow and delicate rhythm of the Carthusian monks’s daily lives in silence - a great meditation if you are stressed out. “Silence. Repitition. Rhythm. The film is an austere, next to silent meditation on monastic life in a very pure form. No music except the chants in the monastery, no interviews, no commentaries, no extra material.”

I enjoyed Children of Men, a superbly directed political thriller - London has never looked this scary…

My favorite of all action movies was The Bourne Ultimatum. An unusually smart work of industrial entertainment with the great Matt Damon - as good here as he was in the two previous Bourne films. The music is so interesting I had to shell out a buck for Moby’s “Extreme Ways”.

All and all it’s been a good year for the low budget films and this makes me very happy. I am planning to see The diving bell and the butterfly, American gangster, and Persepolis.

I also hope to be able to find Primo Levi’s journey. (I am insisting that he didn’t commit suicide!)

I am trying to get a copy of the documentary, Out of place: Memories of Edward Said . He remains controversial even after his death.

and…maybe Beowulf for fun.