Shostakovich: Iron Man 5, 8, 10

Posted on May 25, 2010 by Michele

Dmitri Shostakovich, the great Russian composer, is the ultimate Iron Man! He defeated, with his amazing music, Stalin’s Iron Fist in spite of the Iron Curtain.

Pushkin, Tolstoy and Shostakovich have helped Russia’s spirit endure the darkest moments of its history: the triumph of intense culture over politics.

Shostakovich, this fragile, shy, nervous, unassuming, fidgety little person, had a difficult and complicated relationship with the Soviet government. He lived in constant fear of persecution by a government that needed him for its propaganda machine.

I have been consumed by his music in the past several days; his symphony #8 (3rd movement) and symphony #10 (second movement), his string quartet #8 in C minor (II) are haunting to say the least.

He was influenced first by Prokofiev and Stravinsky (needs a post all to himself) and later by Mussorgsky and Mahler; I can’t get his music (or his life story) out of my mind: the only way to put it to rest is to write about him.

What I’ve learned from my hero, Isaiah Berlin, is that people (in this case Shostakovich, this tragic figure), can not and should not be judged, from the safety of the 21st century western world, for having failed to stand up against Stalin’s terror machine. It’s just too easy to send others to their death…

“Shostakovich produced a wide range of music. In addition to the 15 symphonies for which he is best known, he wrote operas, film scores, ballets and compositions for theater. He also maintained ties with the literary community by setting the works of prominent Soviet writers (Babi Yar is one of them) to music.”

His symphonies number 5, 8 and 10 are my favorites—music notes are mightier than swords…

I hope you will find a little time to listen to this achingly beautiful music that celebrates life in all its glory and… gore.

Shostakovich : Symphony N° 8, III

Shostakovich: Gustavo Dudamel Symphony 10 II

Shostakovic: String Quartet No. 8 in C Minor, II

A night with some dry drunk Persians

Posted on July 6, 2008 by Michele

I got drunk on music at Frank Gehry’s last night along with two thousand other people. Even though independence day usually is accompanied by the two Adamses – Samuel (the beer), and John (the second president) – this year was different.

It was amazing : an Iranian music ensemble called “Mastan” or the drunks, with its director/vocalist, Parvaz Homaye, performed at Walt Disney music hall. The astonishing thing is that this group lives and performs in Iran and has chosen a name and lyrics laced with wine/intoxication/breaking repentance/dissent/hope… The young vocalist actually played on two big jugs – khomreh – that begged to be full of wine like Jesus’ in the marriage of cana!

How the mullahs managed to asphyxiate 70 million people by depriving them of music and wine is beyond my comprehension… Just look at these paintings: where there is music, there is wine. The concert last night proved that if you take the wine out of a Persian’s life, he’ll continue to sing about it! Move your mouse on the images to see a description of the paintings and the year they were created.

These instruments have not changed in centuries but the music has evolved. I love this painting of Kamancheh (upright fiddle), tar and daf:

This gorgeous painting in a palace in Isfahan from around 1670:

Last but not least is this funny looking dude playing a lute:

Passionate improvisation is the basis of Persian classical music. Watch this clip to see some hard core first-rate Persian musicians – Kayhan Kalhor on kemancheh (spike fiddle), Hussein Alizadeh on tar (lute), Shajarian on vocals, and his son on tombak (hand drum) – warning to the uninitiate: there is heavy duty yodeling! I couldn’t resist adding these pictures of the great Kalhor playing and Yo-Yo Ma watching – they collaborated on the Silk Road Project:

Watch the Mastan here – they will be performing in San Francisco, San Diego and Washington D.C. this July.

صبح است ساقیا قدحی پرشراب کن
دور فلک درنگ ندارد شتاب کن
زان پیشتر که عالم فانی شود خراب
ما را ز جام باده گلگون خراب کن

حافظ

Rufus Cappadocia, not your father’s cellist.

Posted on May 5, 2008 by Michele

Listening to Rufus Cappadocia the other day on NPR, I almost had an accident! I seldom get excited about “fusion/cross-cultural music” but the more I listened to it, the bigger the smile got on my face. Just watch this clip to see what I got all excited about.

I liked what I heard so much that I made several images out of the few pictures I could find of him online. Rufus is a New York-based cellist and composer, a multilingual musician, a world music traveler, having studied and performed in a variety of traditions from American blues, folk and jazz to Spanish flamenco, Haitian vodou drumming and various styles from the Balkans, the Middle East and India. Reminding me that his last name, Cappadocia, is where Rumi lived, Rufus told me about his work with Rumi’s poetry and Vishal Vaid, the extraordinary Ghazal vocalist.

His CD sold out after the NPR piece but it will be in stock this week – it’s also available on iTunes. A modified cello has given him the flexibility to play in many settings with other musicians. Rufus is playing on May 18th in Oakland with Stellamara. Check it out if you live in the area.

The real magician is the one who puts Jimmy Hendrix and classical Persian music together…

Contagious enthusiasm: Gustavo Dudamel

Posted on February 18, 2008 by Michele

Los Angeles is basking in the light of having the remarkable Dudamel as its philharmonic orchestra’s next music director starting 2009.

“True class: South America’s lightning conductor . . . what I experienced was sensational. His name is Gustavo Dudamel – he produced enough electricity to light up Birmingham – a young man with boundless talent, deeply in love, and the world at his feet.” The Times (London)
Dudamel started by playing the violin before becoming a conductor – listen to him play as the devil himself in this clip. His joy and exuberance are contagious.

Venezuela is not all about Chavez and his histrionics – it could also be about El Sistema, an organization that gave birth to the likes of Dudamel through teaching music to children. I first read about this a few months back but tonight the 60 minutes program (a must see) just blew me away…250,000 Venezuelan teenagers and children, most from impoverished backgrounds, are participating in El Sistema that has already produced many world class musicians – Mahler and Bernstein are keeping them out of trouble – All over the world, young people have so much to give and from whom so little is expected…

My other favorite Venezuelan is Manuel Graterol‘s daughter, Flor.

Of course amid all this musical euphoria, the cynic in me remembers George Steiner‘s quote: “we know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day’s work at Auschwitz in the morning.

Coming to life with an iPod

Posted on November 5, 2007 by Michele

I love my iPod! It’s ancient but I don’t want to get a new one yet; I have to admit that having a portable music library has not been my primary concern but the podcasts…oh the podcasts…

Many of my friends have asked about subscribing to podcasts with an iPod (or any other MP3) – this is how I listen to my news from around the world – it’s like TiVo-ing your favorite radio shows; you have to install itunes and take it from there:

1) if you don’t already have itunes download it for free at http://www.apple.com/itunes/download/
2) install it
3) go to itune store/podcast http://www.apple.com/itunes/store/podcasts.html
4)search for shows you like halfway through the screen:

And the rest is pretty easy. Here are some of the things I listen to: NPR morning news, scientific american , slate magazine, 2000 ans d’histoire, in our time with melvyn bragg, Radio Lab, NYT’s Frank Rich/Maureen Dowd , etc… I do download a “medley” of different stuff and I hardly listen to music on my ipod but that’s just me – the beauty of it all is that I can listen to what I want when I want and with a little gadget (iTrip), it even plays on my car radio.

Five minutes in the morning to download the podcasts from my computer and this can carry me through Life‘s rush-hour…Happiness is a lot of small/little things.

Mozart and Starbucks

Posted on September 21, 2007 by Michele

I just found this fabulous picture of Roland Schlager that i scanned some years ago – i love the absurdity of it – Starbucks has never looked this good.

Lady in Green

Posted on September 16, 2007 by Michele

I’ve always loved these ladies! I have fun playing with their images. They’ve been called torchères (torchieres), lampposts and some pretty banal names but I think that they deserve to be called by a “grander” name like “the green Lucinas” (Lucina: she who brings children into the light). I’ve photographed them several times (they are the best models, they never move). Their color changes from bronze green to dark jade passing by some moss and celadon.

The Paris opera house is not hosting any operas; it is now mainly used for ballet performances. Carrier-Belleuse, an old friend of Charles Garnier, the architect of this great theater, contributed the elaborate torcheres that hold the candelabra illuminating the grand staircase and the lampposts outside the opera house.

“Opera is where a guy gets stabbed in the back, and instead of dying, he sings.“ Robert Burns

Pavarotti and my friend

Posted on September 7, 2007 by Michele

Una furtiva lagrima
negli occhi suoi spunt

Musical DNA, experiments in musical intelligence

Posted on August 26, 2007 by Michele

I am in love with my iPod. One fabulous podcast i listened to last week brought tears to my eyes and inspired me to make this image.

the radio program was the one about the “Musical DNA” from WNYC’s Radiolab. David Cope , a composer and professor at UCSC, talks about how a computer program he wrote, can imitate the musical DNA of great artists; “His program, named EMI (Experiments in Musical Intelligence – pronounced Emmy), deconstructs the works of great composers, finding patterns within their compositions, and then creates brand new compositions.” Imagine some undiscovered pieces from Mahler or the Almighty Bach…Life can be amazing. We have worshiped dead musicians for ever, can we admire their ghosts’ music now?

I love this picture of Gary Oldman playing a near deaf Beethoven in Immortal Beloved. I often wonder how different his music would have been were he not deaf…

I just discovered this great image from Paul Louis Villani, a photographer and digital artist, i met on redbubble.

Vivaldi: one concerto and 500 variations of it…

Posted on July 20, 2007 by Michele

they say: “While Beethoven wrote seven concertos, Brahms four and Bach, Haydn, Handel and Mozart at most a few dozen, Vivaldi wrote over 500 (and more are being uncovered each year)! When you’re that prolific, some recycling and lapsing into formula is inevitable.” the funnier version would be that Vivaldi didn’t write hundreds of concerti but only one concerto hundreds of times! i fell in love with Baroque violin virtuoso, Giuliano Carmignola, a few years back; it was astonishing to hear Vivaldi’s over-exposed, over-played (ad nauseam) “Four Seasons” in a different way: the presto of summer has never been this fast combined with some feverish allegro sections.

listen to some of his music, or even better watch the short video clip – he’s amazing; Carmignola has mostly played with the Venice Baroque Orchestra using their period-instruments which makes the performance sound the way that the old Venetian, Vivaldi, would have imagined, composed and conducted it…

unfortunately, the above images are not mine – i tried to catch his southern california concert a couple of years ago but he stood us up! got sick on the plane from Venice or got scared of our governor.

Michele Roohani

“Life is short, art is long, opportunity fleeting, experiment treacherous, judgment difficult.”

Category Archives: classical music